I am a UX Researcher and designer focused on turning user insights into impactful and engaging experiences.
Hi, I’m Olivia, a UX Researcher and designer with a Master’s degree from Cnam-Enjmin, specializing in ergonomics and interactive media. Through my academic and professional experiences, including my work at Ubisoft, I have developed a strong human-centered approach, combining user research, playtesting, and experience design to understand how people interact, feel, and engage with interactive experiences.
I’m particularly interested in turning player insights into actionable design decisions. By exploring users’ behaviors, needs, emotions, and comfort, I aim to help multidisciplinary teams create accessible, meaningful, and engaging experiences that are both enjoyable for players and relevant to the product.
Creativity
User Empathy
Analytical Thinking
Collaboration
Communication
Adobe Suite
Figma, Canva
Jira, Confluence
Office 365
MindManager
Below Their Sight is a first person solo exploration narrative game, taking place in a post-apocalyptic city, where an unknown cataclysm remains to be solved : the appearance of gigantic entities in your world.
Without weapons, the player relies on observation and planning to understand entities that are much larger and more powerful than them.
Forlorn is a VR exploration experience, immersing you in an unsettling unknown where fear dwells in every shadow.
Awakening in a dark cave with only a lantern to guide them, players explore the environment and progressively uncover the story of a forgotten civilization.
During the first year of my Master’s degree, I conducted an academic research project investigating how personas are integrated into video game production and how they can inform design decisions. The project explored personas not only as representations of players, but as a tool for bringing user perspectives into multidisciplinary development processes.
This research strengthened my ability to connect user insights with design decisions and critically examine how UX methods can be integrated into game development workflows.
During the first year of my Master’s program at ENJMIN, I conducted a research study investigating whether the gaming medium influences player experience. The study focused on three dimensions: time perception, flow state, and emotional state, comparing a physical board game session with a virtual version of the same game.
During the first year of my Master’s program at ENJMIN, I conducted a research study investigating whether the gaming medium influences player experience. The study focused on three dimensions: time perception, flow state, and emotional state, comparing a physical board game session with a virtual version of the same game.
Overall, the study provided insights into how the gaming medium can influence different dimensions of player experience, highlighting the importance of considering both cognitive and emotional responses when studying interactive experiences.
During my Bachelor’s degree in Digital Design, I developed a social media awareness campaign aimed at encouraging critical reflection on societal behaviors. I began with documentary research, including an exploration of users’ need to have their voices heard, before translating these insights into personas, project requirements, and contextual considerations.
I then developed the campaign concept through a visual identity and video storyboards designed for social media sharing. The project was brought together in a comprehensive specification document covering the communication elements, marketing plan, and tools required for the campaign.
During my Bachelor’s degree in Digital Design, I developed an interactive video project exploring how digital interactivity transforms social interactions, with a particular focus on cyberbullying and the importance of user awareness and action.
The project began with documentary research on digitally engaged populations, social networks, and the impacts of cyberbullying, supported by user testimonials. These findings informed the project contextualization and persona creation before being translated into the interactive concept through references and storyboards.
Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.
Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.
Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.
Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.
Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.
The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.
Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.
Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.
Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.
Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.
Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.
The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.
Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.
Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.
Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.
Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.
Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.
The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.
Just because we can't get out and about like we normally would, doesn’t mean we have to stop taking pictures. There’s still plenty you can do, provided you're prepared to use some imagination. Here are a few ideas to keep you shooting until normal life resumes.
Most photographers love to shoot the unusual, and you don’t get much more unusual than These Unprecedented Times. Right now everything counts as out of the ordinary. There are a number of remarkable things about these lockdown days that are worth photographing now so we can remember them when it is all over.
Most photographers find it hard to see interesting pictures in places in which they are most familiar. A trip somewhere new seems always exactly what our photography needed, as shooting away from home consistently inspires us to new artistic heights.
Streets empty that are usually busy are remarkable and can evoke the sense of historical pictures from before the invention of the motorcar. Other things that are different at the moment will be queues to get into stores and the lines marked out on the floor to show how far apart we should be.
Pretend everything is new and that you haven’t seen it before, and then you will be free to notice the leading lines, the places where one edge meets another in delightful geometric harmony, and how the ordinary things in the kitchen are transformed when the light is on or off.
The trick here is to look slowly, and then look again. Take the time to look in detail and to look at the same thing from different angles, with different light, long lenses and wide lenses. Then move to the left a bit. You may never feel the need to leave the house again.
